Just like taste and smell, music has the power to bring back memories. We can feel each and every one of these senses with our whole body. But sadly, we can’t associate sense of hearing with a specific flavor. Or can we? As a world first, and for Brazilian cookware brand Tramontinastreaming platform Spotify and J. Walter Thompson Brasil joined forces to explore the question “What does music taste like?” Is it bitter, sweet or sour? Can you even find out?

Well, depending on an algorithm that the Sao-Paolo-based agency developed in partnership with neuroscientist Dr. Marcelo Costa, Head of the Neuroscience Department at the University of São Paulo, conductor João Rocha from the University of Kentucky, and Renato Carioni, chef and coach of team Brazil—that took part in the world chef championship, Bocuse D’or—it is now possible to feel the flavor of your favorite song.

In a brand-new campaign titled “Flavor of Songs,” JWT succeeds to transform music into taste. The project is based on an algorithm that is capable of turning any song from the Spotify platform into a different recipe, which means that it is capable of generating 44 million possible gastronomic combinations. The foundation of the concept is built on synesthesia, a phenomenon where the stimulation of one sensory or cognitive pathway leads to a similar experience in another sensory or cognitive pathway. In other words, one sense can involuntarily influence the other. In our case, hearing is the one that influences taste.

The project comes as a result of a six-month-long study, where Tramontina—one of Brazil’s leading brands of cooking utensils—did their best to turn songs into delicious dishes. The project started with collaborations of neuroscientist Dr. Marcelo Costa with conductor João Rocha. The duo used the principle of synesthesia to classify millions of songs available in Spotify’s database.

“If you consider a samba school with its various instruments, that really dense part in terms of sound, you can relate that to dense food,” explains Rocha. In this unusual scenario, Spotify’s parameters were cleverly transformed into ingredients: dance music was associated with temperature; energy as density/texture; positivity became bitterness/acidity, and musical notes became harmonization.

Based on these combinations, Chef Renato Carioni classified all the main culinary ingredients into notes. “If a song is not at all positive, its taste is bitter,” says Carioni.

“Our brief was from Tramontina was to appeal to a younger and more techy audience and get them excited by its stainless-steel line of products. We didn’t shy away from a technologically complex route, which has resulted in a project that appeals to all senses,” uncovers Rodrigo Da Matta, ECD at J. Walter Thompson Brazil.

The database was gathered in one place and utilizes artificial intelligence that is shrouded in the same technology used in financial systems, while “matching” Spotify’s classification parameters and the different combinations of ingredients cataloged by Carioni. This way it was possible to come up with different tasty dishes. For example, Beethoven’s Symphony No. 5 in C Minor is a synonym for Salmon caviar and Cold Barley.

The campaign is now available on Spotify and is also supported by an interactive website, where users are invited to insert their favorite song into the platform and wait for it to generate a dedicated dish. Every dish is accompanied by a recipe, ingredients, and cookware, all divided into simple clear steps so that each user can cook their special dish at home. All users need to do is to log in into the platform using their account and type the song they love most. Let us know what song you will ‘consume’ first!

Credits:

Creative Agency: J. Walter Thompson Brasil

Client: Tramontina

Title: Flavor of Songs

CEO/CCO: Ricardo John

ECD: Cassio Moron e Rodrigo Da Matta

Copywriters: Rodrigo Da Matta, Kiko Borger, Heinz Boesing

Art Directors: Gustavo Rates, João Mendes, Marcus Prado, Cristiano Schein

Designers: Gustavo Rates, João Mendes, Marcus Prado

Creative Technologist e Creative Data: Sergio Costa e Tom Corral

Editing: Marcus Prado

Motion: Marcus Prado

Head of Production: Maisa Delgado

RTV: Carolina Pivato

Digital Producer: Sergio Costa e Tom Corral

Photographer: Régis Fernandez

Head of Client Services: Felipe Giacon

Operations Director: Thiago Segundo

Executive Director: Renata Dall Onder

Account Management: Fabricio Soares, Ricardo Montezuma, Rochele Pahs

Media: Giovana Venturelli, Maria Fernanda Galetti, Carolina Lopes, Ana Paula Rotta, Nathalia Silva, Luisa Maia

Planning: Stella Pirani, Marcus Pesavento

Client Approval: Darci Friebel, Rosane Fantinelli, Joice Patzlaff e Josiane Lamera Toazzi

Technology Producer: Casion

PR: Andrea Assef, Vivian Zeni, Livia Martins, Jessica Hartley

Extra Credits: Chef Renato Carioni, Maestro João Carlos Rocha, Doutor Marcelo Fernandes da Costa

TEASER

Production: Landia

Director: Aline Lata

Executive Production: Carol Dantas, Sebastian Hall

Assist Executive Production: Larissa Delfini

Head of Production: Camilla Bastos

Photography direction: Erico Toscano

Production: Natalia Petrechen

Editor: Wellington

Post-production coordinators: Elton Bronzeli, Rafael Malavazzi

Post-production/Finishing: Landia, M&A

Color Grading: Marla Colour Grading

AUDIO

Production: A9 Audio

Soundtrack: Apollo 9 e equipe A9

Account Management: Renata Schincariol e Guta Lima